Baby's All Right Brooklyn Princess Goes to the Butterfly Museum
May
12
Princess Goes To The Butterfly Museum Princess Goes To The Butterfly Museum
Princess Goes to The Butterfly Museum
Princess Goes To The Butterfly Museum is a trio comprised of vocalist,
lyricist, musician, and Gold Earth and Screen Actors Society Award-winning
and Emmy-nominated actor Michael C. Hall (Dexter, Half dozen Feet Nether, Hedwig
and the Aroused Inch), keyboardist Matt Katz-Bohen (Blondie), and drummer
Peter Yanowitz (The Wallflowers, Morningwood).
A theatrical sensibility is part of the trio's DNA, especially in alive shows, having
met several years ago on Broadway during the product of Hedwig and the
Angry Inch.
Princess Goes to the Butterfly Museum eschews traditional rock
instrumentation in favor of a stripped-downwards synthesizer-and-drum set on,
heard on their debut full-length album THANKS FOR COMING (released
earlier this year), which follows their 2020 cocky-titled EP. Both have fatigued
praise from Paper, Culling Printing, Associated Press, Consequence of
Audio, People, American Songwriter, Magnet, Overflowing, Forbes, Huffington
Post, NME, Line of Best Fit, The Independent, Entertainment Tonight and
more. A wealth of disparate influences menses into Princess Goes to the Butterfly
Museum'due south songs – the glam, experimental, ambient music of David
Bowie, Giorgio Moroder'southward '70s disco productions for Donna Summer, '80s new
wave trip the light fantastic toe music, gimmicky electronic trip the light fantastic toe acts like Justice, and the
roster of French republic's Ed Banger label.
Princess Goes To The Butterfly Museum's album Thanks For Coming was released in February 2021.
Princess Goes to the Butterfly Museum
Princess Goes to the Butterfly Museum on Instagram | Princess Goes to the Butterfly Museum on Twitter
"We never set out to start a band," says Peter Yanowitz, one third of the avant-indie trio Princess Goes to the Butterfly Museum. "It feels more like the band started us."
Recorded spontaneously for the sheer joy of creation and collaboration, Princess Goes to the Butterfly Museum's captivating cocky-titled debut showcases the magic that can happen when three consummate artists commit themselves to fully inhabiting the present, to post-obit their muse without boundaries or restrictions. The songs here are adventurous, with bold, experimental arrangements that incorporate everything from distorted synth rock and ethereal electronics to dreamy folk and R&B. It's an exhilarant mix, one that transcends genre as it draws equal forcefulness from the remarkably disparate backgrounds of its progenitors.
"Nosotros all bring something unique to the project," says vocaliser Michael C. Hall. "Nosotros're a 3-legged stool; nosotros couldn't stand up without all of us working together."
While Hall may exist the most recognizable face in the band—he was nominated for an Emmy for his work on the HBO drama Six Feet Nether, won both a Golden Earth and a Screen Actors Order Honor for the acclaimed Beginning series Dexter, and was selected by David Bowie to star in his musical, Lazarus)—his bandmates boast similarly prodigious resumes. Yanowitz began his career playing drums in The Wallflowers before going on to co-found indie stalwarts Morningwood and piece of work with artists every bit varied as Natalie Merchant, Yoko Ono, Andrew W.K., Allen Ginsberg, and Billy Bragg & Wilco, who enlisted him to perform on their seminal 'Mermaid Avenue' collaboration. Keyboardist Matt Katz-Bohen, meanwhile, spent the concluding decade touring and recording with Blondie, in addition to working with the likes of Male child George and Cindy Lauper.
The trio's collaboration began innocently enough, with a series of late-dark studio hangs fueled by a shared honey of pushing art into uncharted territories. Taking their proper name from a phrase suggested by Katz-Bohen's daughter, the group constructed an entire world for their music, imagining the Butterfly Museum as a physical space brought to life with the help of legendary mixer Tom Elmhirst (Adele, The 20). Delivered with dense harmonies atop a solemn organ pad, EP opener "Don't" represents both an atmospheric invitation into the museum's shimmering halls and an ideal introduction to a band that delights in toying with expectation. "Vicious," for instance, begins as an explosive dose of heavy rock before dissolving into a classically-inspired interlude, while the hypnotic "Ketamine" builds from hushed intimacy to corybantic free energy, and the sleek "Come and Talk to Me" blends pulsating house production with sparkling falsetto vocals. Keyboards often make full the role of guitars on the EP, but closing rails "Sweet and Low" offers yet another twist, starting off with just a strummed acoustic. Information technology's a rare organic moment, i designed to gently conductor you out of the museum and dorsum into the real globe.
"I came into the studio with fully formed lyrics for that song," says Hall, "and the guys discovered the chord structure that would piece of work underneath as I sang information technology. The first fourth dimension nosotros played it, information technology sounded exactly how I imagined information technology would. It was a magical moment."
For Princess Goes to the Butterfly Museum, it was just the first of many magical moments to come.
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Source: https://lpr.com/lpr_events/pgttbm/
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